My contribution to April’s distortion-themed episode of Gwaith Sŵn’s Sonic Darts on Resonance104.4fm.

“There’s not much to say really! 😉 It started off as an experiment recording a semi-acoustic guitar into an old cassette recorder. I then recorded it from the cassette recorder’s built-in speaker, ran it thru’ a Pure Data patch into a Boss SP-303’s “Vinyl Sim” effect, then ran it back thru’ the SP-303’s distortion effect… so calling it “Distortion” is probably pretty apt!”


“Within the land of dreams, the rainbow desires a lament for your mother…”

The last five minutes of an extended Boss SP-303 jam session, with patterns made up from samples taken from Talk Talk’s “Desire”, Funkadelic’s “Music For Your Mother” and Ruth Copeland’s “Suburban Family Lament”, overlaid with the intro to Talk Talk’s “The Rainbow” and Delia Derbyshire and Barry Bermange’s “Inventions For Radio – Within Dreams: Land”.

Sound Room XXXIV: Recording

Here is a recording from Friday’s gig at Sound Room XXXIV, Third Space, Helsinki. The first half contains “on the hoof” reworkings of tracks from my album Echoic, while the second half is taken up with a twenty minute performance for mono reel-to-reel tape machine, two particularly mangled tape loops and phrase sampler. Enjoy!


01. There
02. Bark
03. Sea
04. Absent
05. Sketch for Reel-to-Reel Tape Machine, Tape Loops and Phrase Sampler

Many thanks to Ana Gutieszca and Sébastien Piquemal.

Bye-Bye Spaceboy

Piece composed for the eighth edition of Gwaith Sŵn’s Sonic Darts radio show, first broadcast on 1 February 2016 on Resonance104.4fm. The theme for the show was “ambience”.

Here is what I put in my email to the rest of Gwaith Sŵn:

Here is my, um, “ambient” track (I guess “ambient” in the original Eno tape-loop sense of the word). It samples the greetings from the Voyager Golden Record and lays them over some slowed-down tape-loops taken from the London Symphony Orchestra’s version of Space Oddity

Sound Room XXXIV


Facebook event: https://www.facebook.com/events/171008933268216/

​Stephen Christopher Stamper is a British-born artist living and working in Helsinki.Through sound work, installation and performance, Stephen has explored themes of decay, memory and obsolescence, the body and its relationship to illness, the manipulation and execution of code by machine, extreme metal music culture, and the a cappella community singing tradition of Sacred Harp.

For his performance at Sound Room, Stephen will (once again) attempt to conjure the following from reel-to-reel tape machine and phrase sampler: “drone-fuzz, magnetic pulsation, vocal snippets, waking dreams, the surf’s steady pound and the hum of utility poles” (@JasonGubbels).