Begin Anywhere – The Third Review!

From the Collective Zine website:

Reviewed by Captain Fidanza

Excellent, another album from Runningonair Music and something of a return to what I have come to expect from them. My heart was already racing when I read on the press release, the artist expressing an interest in both “algorithmic composition” and “Karplus-Strong string synthesis” but when the music started buzzing out of the speakers, the beat of my heart moved up a gear.

There will never be words in the English language to adequately express the joy I feel at the fact people like Stephen Christopher Stamper are making music and someone is taking the time to release it. Twenty years ago, people like Stephen would have been bullied to the point of autism and might never have had the confidence to create something as beautifully quixotic as this, but now, the weird science people of yesteryear are finding their way out of the laboratories and releasing skeletal electronica on boutique labels. Capital, capital.

I won’t even try to describe the music on here as it’s not possible. I’ll make a couple of clumsy comparisons but they don’t really come close to elucidating the restrained majesty of this release.

Bits of it sound a little like the song “Phase 3: Agni Detonating Over the Thar Desert” from the album “Thrones and Dominions” by Earth. Other bits sound like the album “94 Diskont” by Oval.

The rest you will have to find out for yourself.

Duo for Internet Search Engine and LFO Modulated VCF

 
My contribution to Artefacts & Affects, a collaborative exhibition between London College of Communication and the Cuming Museum.

One performer searches the museum’s website for the chosen objects while another performer listens in to the network activity and ‘filters’ the results in real time with a voltage-controlled filter (VCF). The score consists of a set of simple instructions (presented in the style of a computer program) that hopefully leads to an unforeseen degree of interactivity, unpredictability and complexity.

 

/* Duo for Internet Search Engine and LFO Modulated VCF */

/* Player 1 (Preparation) */

      Boot up Debian GNU/Linux operating system.

      Install tcpdump packet analyser.

      Open command-line interface.

      Enter the following command:

            sudo tcpdump -U -s 65535 -i wlan0 tcp port 80 -w /dev/dsp

/* Player 1 (Performance) */

      Open web browser.

      Enter the following address:

            http://www.southwarkcollections.org.uk

      Enter the following search terms into the ‘Quick Search’ box:

            A Couple of Differences Between Thinking and Feeling
            Apollo Moon Disc III
            Beer Street
            Book of Pleasure (Self Love)
            Canned Roses
            Corona Vitae
            Cycloid I
            Julianna Mimi Platinum
            Maenads
            Miss Hare’s Eye Exercisers
            Peacock Garden
            Red Ware Zisha Tea Pot
            Sculptural Objects
            Untitled (Dark Blue Rectangle)

/* Player 2 (Preparation) */

      Set up equipment.

/* Player 2 (Performance) */

      Filter Player 1’s search results with an LFO modulated VCF.

 

“Searching the web for objects in the archive resulted in a performance piece, in which the network activity of the search is sonified live, giving the sought for object a home in the gallery space even though its physical presence has been postponed or deferred.”

“The performance had fantastic, aggressive noise swipes accompanied by soft whistling. The metaphorical relationships between the Cuming website, the absent objects and the resulting sounds were evoked brilliantly.”

Thomas Gardner, Senior Lecturer
BA (Hons) Sound Arts & Design

The Data of Buddha (disquiet.com)

A totally unexpected write-up of a couple of my SoundCloud pieces from Marc Weidenbaum at Disquiet!

THE DATA OF THE BUDDHA (MP3)
The first edition of the drone box gets a late-model remake.

Early on in “Pure Buddha Data,” a recent piece of music by Stephen Stamper, a four-note riff comes briefly into sonic view. The fourth of the notes is so subdued that it might not even exist. That final note trails off into the lush ringing field that is the majority of the work, [...]

Click here to read more!

Begin Anywhere – The Second Review!

From the Vital Weekly webcast:

STEPHEN CHRISTOPHER STAMPER – BEGIN ANYWHERE (CDR by Runningonair Music)
The first release by one Stephen Christopher Stamper, of whom I know nothing more than he likes VLF radio phenomena, algorithmic composition, Karplus-Strong string synthesis and open-source software. He is studying Sound Arts and Design. Much of this release contains long wave sounds being manipulated in free software such as Pure Date and Debia GNU/Linux and Audacity. Maybe those crackling long wave sounds come off as a bit dull by now, or maybe something of some time ago, but as always its the result that counts and that result is here quite nice. Stamper succeeds quite well to mould these crackling sounds into a variety of pieces which sound quite different. Sometimes a bit noisy with those static crackles, but then there are also pieces which are more ambient glitch like, and even small hints of melody can be traced here and there. Great stuff, especially because of this variety in approach and results. A varied album of great textured music, which doesn’t just stay in one safe place but moves all over the spectrum of experimental music, and that’s quite nice. Certainly a new name to remember. (FdW)
Address: http://www.runningonair.com

Pure Buddha Data

A first generation FM3 Buddha Machine left to run through my Pure Data performance patch.

Subtraction [disquiet0007-subtract]

 
Fun with Pro Tools LE and the AIR Filter Gate plug-in!

The seventh Junto project is a shared-sample project. Everyone will work from the same source audio, which is provided below. You will take the provided sound sample and from it make an original work. You will do this only by subtracting sound from the sample. You won’t add anything to it. You won’t slow it down. You won’t speed it up. You won’t cut it up, and you won’t otherwise reorganize its contents. You won’t play it backwards. You will only “remove.” The word “remove” is up for interpretation — but generally speaking, I’d say that it means various acts of lowering the volume of a narrow or wide band of the audio spectrum for either a short or long period of time. And, of course, “lowering the volume” can mean be interpreted to mean “muting.” The act here of “removing” is the sonic equivalent of sculpting something from a marble block.

The source audio for this composition is a recording by Luftrum of waves crashing on the shore of Kalundborg Fjord at Røsnæs, Denmark:

http://www.freesound.org/people/Luftrum/sounds/48412

More details on the Disquiet Junto at:

Disquiet Junto

Angel’s Serenade [disquiet0006-cylinder]

 
My entry into the sixth Disquiet Junto project.

Angel’s Serenade by the Columbia Orchestra mangled by my Pure Data live patch.

Take five of six.

All audio selected from these antique cylinder recordings:

http://www.archive.org/details/colnyp-15132
http://www.archive.org/details/edba-3871
http://www.archive.org/details/ind-986

More details on the Disquiet Junto at:

Disquiet Junto

19:15 29/07/2011 + 12.5 kHz [disquiet0005-layer]

 
Finnish forest + 12.5 kHz sine tone.

My entry into the fifth Disquiet Junto project.

Begin Anywhere – The First Review!

From the Norman Records website:

This is one of those nice brown cardboardy foldy things on Runningonair and it’s hand numbered of 100. So there’s the physical facts sorted. This is Mr Stamper’s debut release and what you get is 11 tracks of experimental electronics and recordings. Electro acoustic business is afoot here in some of the tracks whilst others have a darker almost celestial edge to them. Strange droneworks with lots of crackles and fizzles and the odd twinkle as well. It’s an interesting and varied listen (compared to some drone releases) with each track taking you to a different place. There’s some nice (vintage sounding) electronics in there as well adding an extra dimension to the mix. It’s very otherwordly and I’d say if you’re into things on labels like 12K and Room 40 you should maybe check this out.

Begin Anywhere – Limited Edition # 12 of 100

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